Valentino presents spring/summer 2025 haute couture collection

Valentino presents spring/summer 2025 haute couture collection ​ Valentino Japan Co., Ltd. Press release: January 30, 2025 Valentino presents spring/summer 2025 haute couture collection MAISON VALENTINO will present creative director Alessandro Michele’s first spring/summer 2025 haute couture collection ‘Vertiginue’ on Wednesday, January 29, 2025 (Japan time) at the Old Paris Stock Exchange in Paris, France. (VERITIGINEUX)’ was announced.
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-4383bd195cfb99753792272d38d09f60-1800×2700.jpg Vertiginue Liszt’s Poetics “The list is the origin of culture. It is part of the history of art and literature. What does culture seek? To be able to understand infinity. It is, if not always, We often want to create order. And how do we, as humans, deal with infinity? How can we grasp the ungraspable? Lists, catalogs, museum collections. , Through encyclopedias and dictionaries, lists do not destroy culture, they create it.” Umberto Eco “Collection of Art”
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-790a5d5539f86766c818dbcd14bac3b9-3543×2362.jpg The fascination with lists, the predilection for lists, people, and phenomena has always accompanied the history of human nature. Despite its apparent simplicity, Liszt’s rhetorical figures have rarely been explored by scholars for their narrative and poetic potential. But Umberto Eco, unlike others, provides a thought-provoking introduction to this concept by collecting and analyzing detailed examples from art and literature, from Homer to Joyce, Ezekiel to Gadda, Arcimboldo, Calvino, and Moreau. He deserves praise for bringing interpretation to the center of contemporary debate. According to Italian semioticians, all lists vary between two opposing and complementary tendencies I will. It is also an attempt to confine the infinite expansion of existence within a meaningful framework. How to bring order to the chaos of the universe. While such attempts at cataloging primarily serve a utilitarian function, such as compiling heritage sites, catalogs, and museum archives, they can also go beyond poetry and become fantastical, aesthetic, and narrative devices. At this moment, Liszt prostrates himself before the indescribable, whirling around to suggest infinity. The purpose is not to quell chaos, but rather to contemplate it.
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-f1f15369fd23be11845b3dac359a6332-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-491c2a734ddba58d37b8ffaadd7612f1-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-e3769dde414c138affffbf507a20826b-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-3a09416168e6817c7ecd953ad444fcc1-1800×2700.jpg These two dimensions often coexist and have secret encounters. “Lists provide order and promote dispersion.Lists can be closed or open, static or dynamic, finite or infinite, and they can be orderly. It can be chaotic or chaotic, and it never stops being a list,” says Bernard Sev. Because of their dual nature, lists are both a means of order and a source of disorientation, creating a state of rapture and
absentmindedness. More specifically, Eco refers to “Liszt vertigo,” evoking the special feeling produced by the noisy, freewheeling, obsessive Liszt, who often stops short of et cetera. I am doing it. Etcetra creates a state of suspension before what can be infinitely expanded, what cannot be contained, what cannot be contained, and this vertigo actually arises from the unfinished nature of the inventory of all possibilities. Masu.
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-c6acdbbec966dd5381778c94243d8aaf-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-b191eb4f71b54e833889cf7f135f411b-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-6e354f417f83553aa6b430e34f206476-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-8ca949977f3b52682d1c5fbb661da0f7-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-bcba70c3c2c52c5c7ff93b0edee561f8-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-968f43c0b494aacdfff17384d4c90596-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-6b588346e4281927851f8c674e1ee57b-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-3b7e8a99dbfde2104ad26e0817828188-1800×2700.jpg These thoughts kept me going during the preparation for my first haute couture show. And they inspired me to imagine a one-of-a-kind dress as an unbroken, potentially infinite catalog of words, unique and finite, an ungrammatical list that progresses through accumulation and juxtaposition. . 48 dresses, 48 ​​listings. Each listing features measurable proportions, emotional threads, pictorial references, product notes, biographical quilts, cinematic textiles, chromatic arrangements, philosophical stitches, and musical imprints. , symbolic warp threads, linguistic embroidery, plant fragments, visual archetypes, historical fabrics, narrative intarsia, and relational knots. Each list includes material and immaterial elements. elements coexist.
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-16408d533142d8022743def222d70fec-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-f198b66fa58931703142564d370e5a6f-1800×2700.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-d92f8d5984f33749d748592f57932c19-1800×2700.jpg It’s as if every dress conjures up a multiplicity of interconnected worlds, exuberant and constant hierarchies of reference, bursting with individuality through association. Calvino would call such a list a “zodiac of ghosts.” It is a poetics in which every thread, every stitch, every trace of color transcends the visible and transforms into countless words. It is a constellation of visions that vibrate and dissolve into a vortex of lists. Each dress is not just an object, but rather a knot in an important web of visual and symbolic memories. It is a living map that leaves traces. It is an archive of stories where unlikely combinations find harmony, where different eras and cultures are remembered, where echoes of stories from the past resonate in the present. It is a list in which combinations, recollections, and reverberations expand all at once to the boundaries of what can be expressed in words. It is a dizzying journey of imperfect diversity.
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-5cd21468d4ec1eed32f072bd8fa736cf-3900×2600.jpg
https://prcdn.freetls.fastly.net/release_image/101366/192/101366-192-6459c8399d5d1b0802db04f207f772f1-3900×2600.jpg @MaisonValentino #Valentino #VERITIGINEUX